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UTF-8 with a leading U+FEFF byte-order mark. Windows caption tools emit this constantly, and a parser that does not strip it sees the BOM as part of the first cue number and fails to match its index. Identical cue content across the whole set, so any difference in a parser's output is an encoding bug and nothing else.
UTF-8 with Windows CRLF line endings. Parsers that split on a bare \n leave a trailing carriage return on every line, which usually surfaces as a stray box glyph at the end of each caption. Identical cue content across the whole set, so any difference in a parser's output is an encoding bug and nothing else.
Plain UTF-8, no byte-order mark, Unix LF line endings. The reference member of this set: every other file here carries the same five cues, so a parser's output can be diffed against this one. Identical cue content across the whole set, so any difference in a parser's output is an encoding bug and nothing else.
Video QC companion SAMPLE (desync-caption.srt) for Wave G suites.
Video QC companion SAMPLE (portrait-caption.srt) for Wave G suites.
Video QC companion SAMPLE (square-caption.srt) for Wave G suites.
The same cues in Windows-1252, the legacy code page behind most real-world caption mojibake. Pure ASCII until the curly quotes and em dash, which encode as single bytes 0x93, 0x94 and 0x97: none of which is valid UTF-8. A tool that assumes UTF-8 either raises or silently substitutes replacement characters exactly where the punctuation was. There is no BOM and no in-band signal, so correct handling requires either charset detection or being told.
A cue whose start and end are identical, and one lasting a single millisecond. Both appear in machine-generated captions from forced-alignment tools. A renderer that computes a display duration and divides by it, or that filters out non-positive durations without saying so, mishandles these.
A SubStation Alpha (.ssa) subtitle (the predecessor of ASS) with a V4 styles section and timed Dialogue events, carrying the same captions, for testing SSA parsers and SSA-to-ASS upgrades.
Single-entry SAMPLE authorized_keys file for SSH access-control parsers.
SAMPLE OpenSSH client config stanza for SSH config parsers.
OpenSSH-format SAMPLE Ed25519 public key for authorized_keys and SSH parsers.
SAMPLE SSH known_hosts with fictional hostnames for known_hosts parsers and StrictHostKeyChecking tests.
An OpenSSH-format Ed25519 public key (the shareable half of the key pair): a single line of algorithm, Base64 key blob, and comment, for testing SSH public-key parsers and authorized_keys tooling.
The locked-off reference for the detail-chart stabilisation set: any motion in this clip is subject motion, not camera motion. The shaky clips in this group are this footage with a recorded synthetic camera path applied, so residual motion after stabilisation can be measured against zero rather than eyeballed.
The locked-off reference for the pan-city stabilisation set: any motion in this clip is subject motion, not camera motion. The shaky clips in this group are this footage with a recorded synthetic camera path applied, so residual motion after stabilisation can be measured against zero rather than eyeballed.
The locked-off reference for the text-motion stabilisation set: any motion in this clip is subject motion, not camera motion. The shaky clips in this group are this footage with a recorded synthetic camera path applied, so residual motion after stabilisation can be measured against zero rather than eyeballed.
Heavy handheld camera shake applied to the locked-off detail-chart plate: up to 12.0 px of translation at 6.5 Hz, seed 5131. Twelve-pixel excursions at a slower, larger cadence: running, or a long lens. Requires real trajectory smoothing rather than frame-to-frame alignment. Uncovered edges are filled black rather than padded, so the crop a stabiliser needs is visible in the input.
High-frequency jitter camera shake applied to the locked-off detail-chart plate: up to 2.5 px of translation and 0.5° of roll at 23.0 Hz, seed 5193. Small, fast jitter near the frame rate: vibration from a vehicle or a drone motor. Aliases against the sampling rate, so naive low-pass smoothing of the path leaves it almost untouched. Uncovered edges are filled black rather than padded, so the crop a stabiliser needs is visible in the input.
Light handheld camera shake applied to the locked-off detail-chart plate: up to 3.0 px of translation at 11.0 Hz, seed 5100. Sub-pixel-to-3-pixel translation at walking cadence: the residual wobble left after in-body stabilisation. Easy to correct, and the case where over-correction visibly crops the frame for nothing. Uncovered edges are filled black rather than padded, so the crop a stabiliser needs is visible in the input.
Rotational roll camera shake applied to the locked-off detail-chart plate: up to 4.0 px of translation and 1.6° of roll at 8.0 Hz, seed 5162. Translation plus up to 1.6° of roll. Translation-only stabilisers cannot fix roll at all, so this immediately separates 2-DOF from full-affine implementations. Uncovered edges are filled black rather than padded, so the crop a stabiliser needs is visible in the input.
Heavy handheld camera shake applied to the locked-off pan-city plate: up to 12.0 px of translation at 6.5 Hz, seed 5131. Twelve-pixel excursions at a slower, larger cadence: running, or a long lens. Requires real trajectory smoothing rather than frame-to-frame alignment. Uncovered edges are filled black rather than padded, so the crop a stabiliser needs is visible in the input.
High-frequency jitter camera shake applied to the locked-off pan-city plate: up to 2.5 px of translation and 0.5° of roll at 23.0 Hz, seed 5193. Small, fast jitter near the frame rate: vibration from a vehicle or a drone motor. Aliases against the sampling rate, so naive low-pass smoothing of the path leaves it almost untouched. Uncovered edges are filled black rather than padded, so the crop a stabiliser needs is visible in the input.
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