Codec — VP8
The shared pan-city base plate encoded with VP8 (libvpx). The first WebM codec, now legacy but still what MediaRecorder emits by default in several browsers — so it turns up in user-generated uploads far more often than its age suggests. Every clip in this group carries the identical picture, so a decoder-support matrix built from them isolates the codec as the only variable.
Browser-playable test video · 1 seconds
Specifications
- Resolution
- 480x270
- Fps
- 24
- Duration
- 1s
- Frames
- 24
- Codec
- VP8 (libvpx)
- Container
- WEBM
- Audio
- none
- Source
- pan-city base plate
Testing contract
Expected to pass- Scenario
- Probe the file and decode it, then compare the decoded frames against another member of this codec matrix.
- Expected result
- 24 frames of 480x270 at 24 fps (1s) decode as VP8 (libvpx) in a WEBM container, with no audio track. Every clip in this matrix is the same pan-city base plate, so a decoder that produces a different picture here than for the H.264 member has a codec bug rather than a source difference.
What is a .webm file?
WebM is a deliberately narrow profile of Matroska, restricted to codecs anyone may implement royalty-free. It keeps Matroska's EBML structure but permits only VP8, VP9, or AV1 video with Vorbis or Opus audio, which is what made it the open counterpart to MP4 in an HTML5 `<video>` element. Google announced it at I/O in 2010 alongside the newly open-sourced VP8 and added VP9 and Opus in 2013. That restriction is also its limit: a WebM cannot carry H.264 or AAC at all.
How to use this file
Use an example WebM to test HTML5 `<video>` playback, EBML demuxing, and VP8/VP9 decoding, checking that a converter turning an MP4 into WebM re-encodes rather than attempting a stream copy, since neither H.264 nor AAC has any place in the container.
How to use this file for testing
“Codec — VP8” is a deterministic Novus Examples fixture for Video codecs, Conversion testing, Video QA. One source encoded as H.264, HEVC, AV1, VP9, MJPEG, and a ProRes-compatible mezzanine, across 8/10/12-bit and 4:2:0/4:2:2/4:4:4, for testing decoder support, transcode pipelines, and container remuxing.
Documented properties for this file: 1s · 24 fps. Compare results against paired or grouped companions on this page when present (clean↔damaged, searchable↔scanned, or format twins) so scores stay reproducible across runs.
Download the file once, keep the path stable in CI or local scripts, and treat the spec table as the contract: dimensions, seeds, field lists, and roles are intentional. Corrupt or invalid samples are labelled as such, expect parsers to fail loudly rather than silently accept them.
Media fixtures are short and synthetic by design. Prefer waveform or transcript ground truth in the same group when measuring ASR, trim, upscale, or sync tools; do not assume broadcast-quality masters.
Code examples
<video controls preload="metadata" width="640" src="vp8.webm"></video>Related files
- webmAlpha Channel — Opaque VP9 TwinThe same codec and container with NO alpha plane, as the control for the alpha clip in this group. Useful for checking that alpha detection reads the pixel format rather than assuming every WebM is transparent — and for confirming a compositing bug is in the alpha handling rather than in the player.
- webmAlpha Channel — VP9 in WebMVideo with a real per-pixel alpha channel: VP9 yuva420p in WebM, the one alpha path browsers decode natively. Composite it over a page background and the transparency is genuine, not a chroma key. Roughly 90% of each frame is fully transparent. Two traps this file exists to expose. First, auto-alt-ref must be disabled at encode time or libvpx silently drops the alpha plane, producing a valid file with no transparency and no error. Second, WebM stores VP9 alpha in BlockAdditional and signals it with AlphaMode=1, so FFmpeg's NATIVE vp9 decoder reports pix_fmt yuv420p and decodes fully opaque — you must force `-c:v libvpx-vp9` to see the alpha at all. Probing this file with default settings and concluding it has no alpha is the expected mistake.
- mp4Bitstream — All-Intra (Every Frame a Keyframe)Every frame is an I-frame, so any frame is an independent cut point. Much larger, and the shape editing and frame-accurate seeking want. Same picture and same codec as every other clip in this group — only the GOP and frame-type structure differ, so the effect on size and seekability is directly attributable.
- mp4Bitstream — Heavy B-Frames (8 Consecutive)Eight consecutive B-frames with a B-pyramid, so decode order and display order diverge sharply and DTS runs well behind PTS. The case that breaks naive timestamp handling and any code that assumes frames arrive in display order. Same picture and same codec as every other clip in this group — only the GOP and frame-type structure differ, so the effect on size and seekability is directly attributable.
- mp4Bitstream — Long GOP (24 Frames, One Per Second)One keyframe per second — the delivery default, and the setting that determines HLS/DASH segment boundaries, since a segment must start on a keyframe. Same picture and same codec as every other clip in this group — only the GOP and frame-type structure differ, so the effect on size and seekability is directly attributable.
- mp4Bitstream — No B-FramesI and P frames only. Required by some low-latency and legacy decoders, and it removes the reordering that makes decode order differ from display order. Same picture and same codec as every other clip in this group — only the GOP and frame-type structure differ, so the effect on size and seekability is directly attributable.
Generated by generation/video_codecs_wave.py. Free for any use, no attribution required, license.