Codec — ProRes-Compatible Mezzanine
The shared pan-city base plate encoded with FFmpeg prores_ks, profile 0 (proxy). An intra-only 10-bit 4:2:2 mezzanine written by FFmpeg's prores_ks encoder — the interchange shape editorial workflows expect. Described as ProRes-COMPATIBLE deliberately: this is FFmpeg's independent implementation, not Apple's encoder. Every clip in this group carries the identical picture, so a decoder-support matrix built from them isolates the codec as the only variable.
Rendered preview of the mov file (308.8 KB). Download above for the original.
Specifications
- Resolution
- 480x270
- Fps
- 24
- Duration
- 1s
- Frames
- 24
- Codec
- FFmpeg prores_ks, profile 0 (proxy)
- Container
- MOV
- Audio
- none
- Source
- pan-city base plate
- Chroma Subsampling
- 4:2:2
- Bit Depth
- 10
What is a .mov file?
MOV is Apple's QuickTime multimedia container, closely related to and largely compatible with MP4 since both derive from the QuickTime file format. It stores video, audio, timecode, and metadata tracks and is common for content from Apple devices and professional video. It supports high-quality codecs and editing metadata.
How to use this file
Use an example MOV to test QuickTime container parsing, track and timecode handling, and pipelines that transcode or remux between MOV and MP4.
How to use this file for testing
“Codec — ProRes-Compatible Mezzanine” is a deterministic Novus Examples fixture for Video codecs, Conversion testing, Video QA. One source encoded as H.264, HEVC, AV1, VP9, MJPEG, and a ProRes-compatible mezzanine, across 8/10/12-bit and 4:2:0/4:2:2/4:4:4 — for testing decoder support, transcode pipelines, and container remuxing.
Documented properties for this file: 10-bit · 1s · 24 fps. Compare results against paired or grouped companions on this page when present (clean↔damaged, searchable↔scanned, or format twins) so scores stay reproducible across runs.
Download the file once, keep the path stable in CI or local scripts, and treat the spec table as the contract: dimensions, seeds, field lists, and roles are intentional. Corrupt or invalid samples are labelled as such — expect parsers to fail loudly rather than silently accept them.
Media fixtures are short and synthetic by design. Prefer waveform or transcript ground truth in the same group when measuring ASR, trim, upscale, or sync tools; do not assume broadcast-quality masters.
Code examples
<video controls preload="metadata" width="640" src="prores.mov"></video>Related files
- webmAlpha Channel — Opaque VP9 TwinThe same codec and container with NO alpha plane, as the control for the alpha clip in this group. Useful for checking that alpha detection reads the pixel format rather than assuming every WebM is transparent — and for confirming a compositing bug is in the alpha handling rather than in the player.
- webmAlpha Channel — VP9 in WebMVideo with a real per-pixel alpha channel: VP9 yuva420p in WebM, the one alpha path browsers decode natively. Composite it over a page background and the transparency is genuine, not a chroma key. Roughly 90% of each frame is fully transparent. Two traps this file exists to expose. First, auto-alt-ref must be disabled at encode time or libvpx silently drops the alpha plane, producing a valid file with no transparency and no error. Second, WebM stores VP9 alpha in BlockAdditional and signals it with AlphaMode=1, so FFmpeg's NATIVE vp9 decoder reports pix_fmt yuv420p and decodes fully opaque — you must force `-c:v libvpx-vp9` to see the alpha at all. Probing this file with default settings and concluding it has no alpha is the expected mistake.
- mp4Bitstream — All-Intra (Every Frame a Keyframe)Every frame is an I-frame, so any frame is an independent cut point. Much larger, and the shape editing and frame-accurate seeking want. Same picture and same codec as every other clip in this group — only the GOP and frame-type structure differ, so the effect on size and seekability is directly attributable.
- mp4Bitstream — Heavy B-Frames (8 Consecutive)Eight consecutive B-frames with a B-pyramid, so decode order and display order diverge sharply and DTS runs well behind PTS. The case that breaks naive timestamp handling and any code that assumes frames arrive in display order. Same picture and same codec as every other clip in this group — only the GOP and frame-type structure differ, so the effect on size and seekability is directly attributable.
- mp4Bitstream — Long GOP (24 Frames, One Per Second)One keyframe per second — the delivery default, and the setting that determines HLS/DASH segment boundaries, since a segment must start on a keyframe. Same picture and same codec as every other clip in this group — only the GOP and frame-type structure differ, so the effect on size and seekability is directly attributable.
- mp4Bitstream — No B-FramesI and P frames only. Required by some low-latency and legacy decoders, and it removes the reordering that makes decode order differ from display order. Same picture and same codec as every other clip in this group — only the GOP and frame-type structure differ, so the effect on size and seekability is directly attributable.
Generated by generation/video_codecs_wave.py. Free for any use, no attribution required — license.